SO FAR SO GOOD
At the crux of a time and culture where people can’t decide whether it’s more important to define yourself or to have fun, this book encapsulates the arguments we have with ourselves on our journey to that decision. It explores the confusion of being a young adult, the pain that comes from beauty, and the fine line between success and failure all through the limitlessness of movement. In the spirit of La Haine as Vinz describes the man who falls from a skyscraper reassuring himself: “So far, so good...so far, so good” on the way down, he reminds us that in life “It’s not how you fall that matters. It’s how you land.”
At the crux of a time and culture where people can’t decide whether it’s more important to define yourself or to have fun, this book encapsulates the arguments we have with ourselves on our journey to that decision. It explores the confusion of being a young adult, the pain that comes from beauty, and the fine line between success and failure all through the limitlessness of movement. In the spirit of La Haine as Vinz describes the man who falls from a skyscraper reassuring himself: “So far, so good...so far, so good” on the way down, he reminds us that in life “It’s not how you fall that matters. It’s how you land.”
At the crux of a time and culture where people can’t decide whether it’s more important to define yourself or to have fun, this book encapsulates the arguments we have with ourselves on our journey to that decision. It explores the confusion of being a young adult, the pain that comes from beauty, and the fine line between success and failure all through the limitlessness of movement. In the spirit of La Haine as Vinz describes the man who falls from a skyscraper reassuring himself: “So far, so good...so far, so good” on the way down, he reminds us that in life “It’s not how you fall that matters. It’s how you land.”